From the Personal to the Political, Religious, and a Vision of Socialism in Maurice Gee’s Orchard Street, a New Zealand Novel for Children

Abstract

This article considers Orchard Street, a novel for children by award-winning New Zealand author, Maurice Gee, and his use of history in depicting New Zealand during the 1951 conflict between the Waterside Workers, and the ship-owners and National government. The article focuses first on Gee’s childhood during the 1940s in Henderson, West Auckland, and on Newington Road where he and his family lived as a model for the creation of Orchard Street. It then looks at the integration of the 1951 conflict into this realistic setting, and Gee’s charging of the street with a political significance.

A self-proclaimed socialist, Gee is firmly on the side of the Wharfies, as is his protagonist, the thirteen-year old Ossie Dye who is on the brink of adulthood, and faced with difficult choices. While supporting his parents’ socialist ideals, and delivering illegal propaganda at night, Ossie imagines he is the solitary American cowboy, Zane Grey’s Lone Star Ranger (p. 13), and excludes the lonely Bike Pike from his gang of friends.

The article briefly examines Gee’s use of an older Ossie as the first person narrator who, looking back from 1991 to the 1951 conflict, forms a circular frame that modifies its depiction. Also considered is the influence of neo-liberalism and the social and political reforms of the 1980s-1990s on Gee’s writing. The article finally argues that the multi-layered timeframe and geometrical structure of the novel are evidence not only of the author’s preoccupation with division but, more predominantly, of his socialist ideology and search for wholeness and balance.