Witches, Bitches and Femmes Fatales: Viewing the Female Grotesque in Children's Films
DOI:
https://doi.org/10.21153/pecl2000vol10no1art1351Keywords:
children's films, femininity, gender roles, witches, social norms, transgressionsAbstract
See article
Metrics
References
Andersen, H. C. (1837/1974) 'The little mermaid', in The Complete Fairytales and Stories. Trans. E.C. Haugaard. New York, Doubleday.
Arthurs, J. & Grimshaw, J. (eds) (1999) Women's Bodies: Discipline and Transgression. London, Cassell.
Arthurs, J. (1999) 'Revolting women: the body in comic performance', in J. Arthurs & J. Grimshaw (eds) Women's Bodies: Discipline and Transgression. London, Cassell, pp.137-164.
Aston, E. (1995) An 1ntroduction to Feminism and Theatre. London, Routledge.
Bakhtin, M. (1968) Rabelais and his World. Trans. H. Iswolsky. Cambridge, Massachusetts, MIT.
Bell, E., Haas, L. & Sells, L. (eds) (1995) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press.
Bell, E. (1995) 'Somatexts at the Disney shop: constructing the pentimentos of women's animated bodies'. in E. Bell, L. Haas, & L. Sells (eds) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press, pp.l07-124.
Butler, J. (1990) Gender Trouble. New York, Routledge.
Curti, L. (1998) Female Stories, Female Bodies: Narrative, Identity and Representation. London, Macmillan.
Dahl, R. (1985) The Witches. Harmondsworth, Middlesex, Puffin.
Doane, M. (1991) Femmes Fatales: Feminism, Film Theory, Psychoanalysis. New York, Routledge.
Haas, L. (1995) ‘“Eighty-six the Mother”: murder, matricide, and good mothers', in E. Bell, L. Haas, & L. Sells (eds) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press, pp. 193-211.
Mulvey, L. (1996) Fetishism and Curiosity. B1oomington and Indianapolis, Indiana University Press.
Russo, M. (1995) The Female Grotesque: Risk, Excess and Modernity. New York, Routledge.
Sells, L. (1995) '''Where do the mermaids stand?": voice and body in The Little Mermaid'. in E. Bell, L. Haas, & L. Sells (eds) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press, pp.175-192.
Smith, D. (1956) The Hundred and One Dalmatians. London, Heinemann.
Zipes, J. (1983) Fairy tales and the Art of Subversion. New York, Routledge.
FILMS
Fatal Attraction (1987) Paramount Pictures.
Gilda (1946) Columbia.
The Little Mermaid (1989) Disney Enterprises (videorecording).
Dalmatians (1996) Disney Enterprises (videorecording).
The Witches (1989) Lorimar Film Entertainment (videorecording).