Witches, Bitches and Femmes Fatales: Viewing the Female Grotesque in Children's Films

Authors

  • Kerry Mallan

DOI:

https://doi.org/10.21153/pecl2000vol10no1art1351

Keywords:

children's films, femininity, gender roles, witches, social norms, transgressions

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References

Andersen, H. C. (1837/1974) 'The little mermaid', in The Complete Fairytales and Stories. Trans. E.C. Haugaard. New York, Doubleday.

Arthurs, J. & Grimshaw, J. (eds) (1999) Women's Bodies: Discipline and Transgression. London, Cassell.

Arthurs, J. (1999) 'Revolting women: the body in comic performance', in J. Arthurs & J. Grimshaw (eds) Women's Bodies: Discipline and Transgression. London, Cassell, pp.137-164.

Aston, E. (1995) An 1ntroduction to Feminism and Theatre. London, Routledge.

Bakhtin, M. (1968) Rabelais and his World. Trans. H. Iswolsky. Cambridge, Massachusetts, MIT.

Bell, E., Haas, L. & Sells, L. (eds) (1995) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press.

Bell, E. (1995) 'Somatexts at the Disney shop: constructing the pentimentos of women's animated bodies'. in E. Bell, L. Haas, & L. Sells (eds) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press, pp.l07-124.

Butler, J. (1990) Gender Trouble. New York, Routledge.

Curti, L. (1998) Female Stories, Female Bodies: Narrative, Identity and Representation. London, Macmillan.

Dahl, R. (1985) The Witches. Harmondsworth, Middlesex, Puffin.

Doane, M. (1991) Femmes Fatales: Feminism, Film Theory, Psychoanalysis. New York, Routledge.

Haas, L. (1995) ‘“Eighty-six the Mother”: murder, matricide, and good mothers', in E. Bell, L. Haas, & L. Sells (eds) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press, pp. 193-211.

Mulvey, L. (1996) Fetishism and Curiosity. B1oomington and Indianapolis, Indiana University Press.

Russo, M. (1995) The Female Grotesque: Risk, Excess and Modernity. New York, Routledge.

Sells, L. (1995) '''Where do the mermaids stand?": voice and body in The Little Mermaid'. in E. Bell, L. Haas, & L. Sells (eds) From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, Indiana University Press, pp.175-192.

Smith, D. (1956) The Hundred and One Dalmatians. London, Heinemann.

Zipes, J. (1983) Fairy tales and the Art of Subversion. New York, Routledge.

FILMS

Fatal Attraction (1987) Paramount Pictures.

Gilda (1946) Columbia.

The Little Mermaid (1989) Disney Enterprises (videorecording).

Dalmatians (1996) Disney Enterprises (videorecording).

The Witches (1989) Lorimar Film Entertainment (videorecording).

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Published

2000-01-01

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Section

Articles

How to Cite

“Witches, Bitches and Femmes Fatales: Viewing the Female Grotesque in Children’s Films” (2000) Papers: Explorations into Children’s Literature, 10(1), pp. 26–35. doi:10.21153/pecl2000vol10no1art1351.

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