The Protagonist Witch in Two YA Fantasy Novels

Finding Social Agency Through the Natural

Authors

  • Jennifer Briguglio

DOI:

https://doi.org/10.21153/pecl2024vol28no1art1694

Keywords:

Witches, Ecofeminism, Young Adult Fantasy, agency, magic

Abstract

The teen witches in young adult fantasy often possess magical abilities related to nature. In Rachel Griffin’s The Nature of Witches (2021), witch student Clara must learn to control her power over the weather as the last hope in the face of devastating climate change. In This Poison Heart (2021) by Kalynn Bayron, budding botanist Briseis can grow a seedling into a tree in moments and withstand the world’s most poisonous plants. Both Clara and Briseis use their abilities for community benefit, manipulating nature for medicine and protection. As teenagers their social power is volatile. As witches they are invaluable to their societies. Roberta Seelinger Trites identifies young adult literature as a place of power imbalance that allows young adult readers to explore their own social power within the safety of the text. Through an ecofeminist lens, this article explores the disconnect between Clara and Briseis’s status as adolescents and the social power gained through witchcraft. It considers how the protagonist witches employ their powers over nature to make a place for themselves (and the natural) within a community. I argue that the renegotiation of western ideological binaries in these texts is impeded by didactic socialisation within the young adult genre.

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References

Bayron K (2021) This Poison Heart, Bloomsbury Publishing, London.

Creed B (1994) The Monstrous-Feminine: Film, Feminism, Psychoanalysis, Routledge, London.

Curry A (2013) Environmental Crisis in Young Adult Fiction: A Poetics of Earth, Palgrave Macmillan, London.

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Griffin R (2021) The Nature of Witches, Sourcebooks, Naperville, Illinois.

Moseley R (2002) ‘Glamorous Witchcraft: Gender and Magic in Teen Film and Television’, Screen, 43(4):403-422.

New York Times (20 June 2021) Young Adult Hardcover, accessed 9 June 2023. https://www.nytimes.com/books/best-sellers/2021/06/20/young-adult-hardcover/

Ortner SB (1974) ‘Is Female to Male as Nature is to Culture’, in Zimbalist Rosaldo M and L Lamphere (ed) Women, Culture, Society, Stanford University Press, Stanford.

Stephens J (2003) ‘Witch-figures in Recent Children’s Fiction: The Subaltern and the Subversive’, in Lucas AL (ed), The Presence of the Past in Children’s Literature, Praeger Publishers, Westport, Connecticut.

Trites RS (2000) Disturbing the Universe: Power and Repression in Adolescent Literature, University of Iowa Press, Iowa City.

Waller A (2008) Constructing Adolescence in Fantastic Realism, Taylor & Francis Group, Milton Park, Oxfordshire.

Waterstones (15 November 2021) The Best Books of 2021: Teenage & Young Adult, accessed 9 June 2023. https://www.waterstones.com/blog/the-best-books-of-2021-teenage-and-young-adult

Wilkins K (2019) Young Adult Fantasy Fiction: Conventions, Originality, Reproducibility, Cambridge University Press, Cambridge.

Zipes J (2006) Fairy Tales and the Art of Subversion, Routledge, New York.

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Published

2024-08-29

How to Cite

“The Protagonist Witch in Two YA Fantasy Novels: Finding Social Agency Through the Natural” (2024) Papers: Explorations into Children’s Literature, 28(1), pp. 50–68. doi:10.21153/pecl2024vol28no1art1694.

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