Fantasy as Epanalepsis: ‘An Anticipation of Retrospection’

Authors

  • Roderick McGillis University of Calgary, Canada

DOI:

https://doi.org/10.21153/pecl2008vol18no2art1161

Keywords:

narration, fantasy fiction, rhetoric, nostalgia, repression

Abstract

This article begins by discussing the rhetorical turn of the first sentence in M. T. Anderson's Thirsty. That first sentence reads: 'In the spring, there are vampires in the wind' (1997 p. 11). Do not these words sound similar to the subtitle of Tolkien's The Hobbit: 'There and Back Again'? I mean, doesn't the shape of the sentence that begins Thirsty remind us of the meaning of Tolkien's subtitle? The sentence begins with a prepositional phrase and ends with a prepositional phrase; in other words, it begins, with a phrase blowing in the wind and ends with the return of that wind; it begins, goes there, and then comes back, so to speak. When winter passes, a spring wind is sure to follow. If we are of a psychoanalytic cast of mind, we might say that rhetorically, the sentence enacts a return - the return of the repressed - but it does so slyly; it disguises the return of the repressed because we always have to disguise repressed content when it insists on emerging from the unconscious. Those pesky vampires insist on returning time and again; this time they come in with the wind - a sort of undead Chinook. My argument, then, is that fantasy rhetorically enacts the journey of return. When we begin a fantasy, we anticipate a return; we read retrospectively. Fantasy can deliver a productive nostalgia, a looking backward in order to look forward, fantasy opens a space for invention, and what returns in fantasy is both the repressed itself and the mechanism of repression.

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Author Biography

  • Roderick McGillis, University of Calgary, Canada

    Roderick McGillis is Professor of English at the University of Calgary. His books include For the Childlike: George MacDonald’s Fantasies for Children (1992), The Nimble Reader: Literary Theory and Children’s Literature (1996), A Little Princess: Empire and Gender (1996), Children’s Literature and the Postcolonial Context (1999), and He Was Some Kind of a Man: Masculinities in the B Western (2009). He is also the author of numerous articles and book chapters.

References

REFERENCES

Anderson, M. T. (1997) Thirsty. Cambridge, MA: Candlewick Press.

Bakhtin, M. M. (1984) Rabelais and His World. Translated by Hélène Iswolsky. Bloomington, Indiana UP, 1984.

Crowley, John (2006) [1981]) Little, Big. New York, London, Toronto, Sydney, Harperperennial.

Deary, Terry (2005) The Fire Thief. Boston, Kingfisher.

Freud, Sigmund (1985) ‘Creative Writers and day-dreaming’, in Albert Dickson (ed), Art and Literature, Vol 14, The Pelican Freud. Harmondsworth, Penguin, pp. 129-141.

Gaiman, Neil (2002) Coraline. New York, HarperCollins.

Jackson, Rosemary (1981) Fantasy: The Literature of Subversion. New York, Methuen.

Marquis, Claudia (2008) ‘Principled Pleasures: Reading the Fantastic in Victorian Children’s Fiction’, Ph.d. thesis. The University of Auckland, New Zealand.

Macdonald, George (1871) At the Back of the North Wind. London, Strahan.

Selznick, Brian (2007) The Invention of Hugo Cabret. New York, Scholastic.

Smith, Jeff (2004) Bone. Columbus, Ohio, Cartoon Books.

Steig, William (2003) When Everybody Wore a Hat. New York, Joanna Cotler Books.

Tolkien, J. R. R. (1973[1937]) The Hobbit. New York, Houghton Mifflin.

Zizek, Slavoj (1997) A Plague of Fantasies. London and New York, Verso.

Filmography

Trip to the Moon (Star Film, 1902). Dir. Georges Méliès. Bleuette Bernon, Henri Delannoy.

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Published

2008-12-01

Issue

Section

Articles

How to Cite

“Fantasy as Epanalepsis: ‘An Anticipation of Retrospection’” (2008) Papers: Explorations into Children’s Literature, 18(2), pp. 7–14. doi:10.21153/pecl2008vol18no2art1161.

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