Gender, Realism and Power in The House that was Eureka

Authors

  • Joanne McPherson

DOI:

https://doi.org/10.21153/pecl1997vol7no1art1392

Keywords:

The House that was Eureka, Nadia Wheatley, patriarchal ideology, power, gender role, Australian fiction, behaviour, social problems, symbolism

Abstract

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References

Golombok, S. and Fivush, R. (1994) Gender Development. Cambridge, Cambridge University Press.

Hollway, W. (1984) 'Gender differences and the production of subjectivity', in Henriques, J., Hollway, W., Urwin, C., Venn, C. and Walkerdine, V. (eds) Changing the Subject. London, Methuen.

Nietzsche, F. (1976) 'The truth and lie in an extra-moral sense', in Kaufman, W. (trans.) The Portable Nietzsche. New York, Penguin.

Nieuwenhuizen, A. (1991) No Kidding: Top Writers for Young People Talk About Their Work. Chippendale, NSW, Pan Macmillan.

Norton, D.E. (1983) Through the Eyes of a Child: An Introduction to Children's Literature. Toronto, Bell and Howell.

Stephens, J. (1996) 'Gender, genre and children's literature', Signal 79, January.

Wheatley, N. (1985) The House that was Eureka. Ringwood, Victoria, Penguin Books/Puffin.

White, M.L. (1976) Children's Literature: Criticism and Response. Columbus, Ohio, C.E. Merrill.

Zipes, J. (1983) Fairy Tales and the Art of Subversion. London, Heineman.

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Published

1997-01-01

Issue

Section

Articles

How to Cite

“Gender, Realism and Power in The House that was Eureka” (1997) Papers: Explorations into Children’s Literature, 7(1), pp. 31–38. doi:10.21153/pecl1997vol7no1art1392.

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