Gillian Rubinstein and Her Women

Authors

  • Barbara Minchinton

DOI:

https://doi.org/10.21153/pecl1994vol5no2-3art1417

Keywords:

Gillian Rubinstein, women, female characters, authors, Australian fiction

Abstract

What is it that computers, jigsaw puzzles and cryptic crosswords have in common? Simply the capacity to intrigue us. To puzzle us and whet our appetite for more - to keep us thinking. There is one facet of Gillian Rubinstein's novels which is similarly intriguing and that is her characterisation of women. Just as cryptic crosswords do, her women behave according to their own internally consistent rules (although their relationship with reality is often erratic) and they draw on a wealth of observations, learning and experiences in (particularly women) readers which  might seem disconnected and meaningless to the uninitiated. but which create in the end a coherent whole. The depth and strength in these characters. counterpoised with their often appallingly negative character traits, forms the puzzle. Why do they seem so profoundly important? Are they simply storybook characters, entirely dictated by and subservient to the plot? Or do they speak to the reader directly because they represent a deeper working out of Rubinstein's own experiences and feelings about women, womanhood and motherhood in particular? The answer probably lies somewhere in the middle, but the question niggles away at the back of the mind. Accordingly, this paper concerns the question: where does the story end and the personal pain begin?

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References

Foster, John 1991, Your Part in This Adventure is Over. You Have Lost: Gillian Rubinstein's Novels for Older Readers in Children's Literature in Education 22 (2), pp.121-127.

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Goode, Katherine 1988, Gillian's at Home in a Child's World in The Advertiser, 9 January, Magazine, p.6.

Hansen, I.V. 1989, In Context: Some Recent Australian Writing for Adolescents in Children's literature in Education 20 (3), pp. 151-163.

Kroll, Jeri 1990, The Hazards of Fame in Southerly 50 (4), December, pp, 457-459.

Mappin, Alf 1989, Know the Author: Gillian Rubinstein in Magpies 4 (3), July, pp. 18-20.

Mills, Alice 1991. Dancing the Labyrinth: Gillian Rubinstein's Game-players in Papers: Explorations into Children's Literature 2 (1), April, pp. 24-29. Nieuwenhuizen, Agnes 1991, No Kidding: Top Writers for Young People Talk about their Work, Pan Macmillan Australia, Chippendale, pp. 225-255.

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Rubinstein, Gillian 1992, Eating the Apple in Toads: Australian Writers: Other Work, Other Lives. edited by Andrew Sant. Allen & Unwin, Sydney, pp. 132-147.

Rubinstein, Gillian 1993, A Hero is a Man…??? in Magpies 8 (2), May, pp. 5- 9.

The Story Makers II: A Second Collection of Interviews with Australian and New Zealand Authors and Illustrators for Young People. ed. Margaret Dunkle, Oxford University Press, Melbourne, 1989. p. 47.

White, Kerry 1990. Miss Free-and-Easy versus Prunes and Prisms: The Depiction of Heroines in some early Australian Family Stories in Papers: Explorations into Children's Literature, 1 (3), December, pp. 132-139.

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Published

1994-07-01

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Section

Articles

How to Cite

“Gillian Rubinstein and Her Women” (1994) Papers: Explorations into Children’s Literature, 5(2-3), pp. 113–124. doi:10.21153/pecl1994vol5no2-3art1417.

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