Mise En Abyme and the Ontological Uncertainty of Magical Events in At the Back of the North Wind

Authors

  • Chen-Wei Yu Fo-Guang University, Taiwan

DOI:

https://doi.org/10.21153/pecl2008vol18no2art1168

Keywords:

George MacDonald, At the Back of the North Wind, ontology, mise en abyme, the mirror in the text, narrative structures

Abstract

George MacDonald’s novel At the Back of the North Wind tells the story of a boy’s magical journey with a mysterious figure, the North Wind, who reveals to the boy his spiritual life. this novel has been categorised as fantasy, in spite of the fact that it ‘has a very real setting...which is London sometime during the middle of the nineteenth century’ (Reis 1972, p.82). Simply defined, fantasy is a story in which magical events actually take place in the story world, while they are unlikely to happen in reality, in contrast to realistic stories in which ‘everything... must conform to our sensory experience of the real world’ (Attebery 2004, pp.295-296).

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Author Biography

  • Chen-Wei Yu, Fo-Guang University, Taiwan

    Chen-Wei Yu is Assistant Professor in the Department of Foreign Languages and Cultures at Fo-Guang University, Taiwan. He graduated with a PhD from the University of Warwick, UK. Before entering academia, he used to be a school teacher.

References

Attebery, B. (2004) ‘Fantasy as mode, genre, formula’, in D. Sandner (ed) Fantastic Literature: A Critical Reader. Westport, Connecticut and London, Praeger, pp.293-309.

Cohn, D. (1983) Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton, New Jersey, Princeton University Press.

Dällenback, L. (1989) The Mirror in the Text. trans. J. Whiteley and E. Hughes. Oxford, Polity.

Foucault, Michel. (2000a) ‘The hermeneutic of the subject’, in P. Rabinow (ed) Ethics: Essential Works of Foucault 1954-1984 Volume 1. trans. Robert Hurley, et al. London, Penguin, pp.93-106.

Foucault, Michel. (2000b) ‘Self writing’, in P. Rabinow (ed) Ethics: Essential Works of Foucault 1954-1984 Volume 1. trans. Robert Hurley, et al. London, Penguin, pp.207-222.

Genette, G. (1980) Narrative Discourse: An Essay in Method. tran. J. E. Lewin. Ithaca, New York, Cornell University Press.

Gibson, A. (1999) Postmodernity, Ethics and the Novel: From Leavis to Levinas. London, Routledge.

Keen, S. (2003) Narrative Form. Basingstoke, Palgrave-Macmillan.

Knoepflmacher, U. C. (1998) Ventures into Childland: Victorians, Fairy Tales, Femininity. Chicago, University of Chicago Press.

MacDonald, G. (1994) At the Back of the North Wind. Ware, Wordsworth.

Makman, L. H. (1999) ‘Child’s work is child’s play: the value of George MacDonald’s Diamond’, Children’s Literature Association Quarterly 24, 3, 119-129.

McGillis, R. (1992) ‘Language and secret knowledge in At the Back of the North Wind’, in R. McGillis (ed) For the Childlike: George MacDonald’s Fantasies for Children. N. J. and London, Scarecrow, pp.145-160.

Prince, G. (1995) ‘Metanarrative signs’, in M. Currie (ed) Metafiction. New York, Longman, pp.55-68.

Reis, R. H. (1972) George MacDonald. New York, Twayne.

Robb. D. (1988) ‘Realism and fantasy in the fiction of George MacDonald’, in D. Gifford (ed) The History of Scottish Literature III: Nineteenth Century. Aberdeen, Aberdeen UP, pp.275-290.

Wood. N. J. (1993) ‘Suffer the children: the problem of the loving father in At the Back of the North Wind’, Children’s Literature Association Quarterly 18, 3, 112-119.

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Published

2008-12-01

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Articles

How to Cite

“Mise En Abyme and the Ontological Uncertainty of Magical Events in At the Back of the North Wind” (2008) Papers: Explorations into Children’s Literature, 18(2), pp. 48–53. doi:10.21153/pecl2008vol18no2art1168.

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