Word-Power: Reading, Writing and Traveling from Story to Story in the 'Inkheart' Novels

Authors

  • Babette Puetz Victoria University of Wellington, New Zealand

DOI:

https://doi.org/10.21153/pecl2009vol19no1art1157

Keywords:

Cornelia Funke, Inkheart trilogy, 'world-travel', metafiction, fantasy fiction, author power, author responsibility, author reciprocity

Abstract

Many readers of fantasy books have wished they could meet the characters or even enter the fantasy worlds of these works. This idea is played out in Cornelia Funke's 'Inkheart' trilogy, where characters move back and forth between the primary world and the secondary one which is set inside a book that is also called Inkheart. The processes and consequences of these appearances and disappearances of characters in both worlds, which - for lack of a better term - I will refer to as 'world-travel', are explored in great detail in the 'Inkheart' series. A striking example of metafiction, the work centres around the processes of reading and writing fantasy. Through a discussion of the power, reciprocity, and responsibility of the author, the reader, and the characters of the story this article will examine the author's claim that her fantasy is not escapist.

Metrics

Metrics Loading ...

Author Biography

  • Babette Puetz, Victoria University of Wellington, New Zealand

    Babette Puetz teaches Drama and Myth in the Classics programme of Victoria University of Wellington. She has a special interest in Aristophanes. Babette has an MA and PhD from the University of St Andrews. She has taught at universities in Great Britain and the US.

References

Brooker, P. (1994) ‘Key words in Brecht’s theory and practice of theatre’, in P. Thomson & G. Sacks (eds) The Cambridge Companion to Brecht. Cambridge, Cambridge University Press. pp. 185-200.

Celan, P. (1980) Poems. A Bilingual Edition. sel., transl., intr. M. Hamburger. New York, Persea Books.

Dickson, K.A. (1978) Towards Utopia. A Study of Brecht. Oxford, Clarendon Press.

Ende, M. (1983, German original 1979) transl. R. Manheim. The Neverending Story. New York, Dutton Children’s Books.

Gelberg, H.-J. (2004) ‘ “Tintenherz” – ein Herz voller Tinte’, Eselsohr 8, 26-27.

Gray, R. (1976) Brecht the Dramatist. Cambridge, Cambridge University Press.

Funke, C. (2003) Tintenherz. Hamburg, Cecilie Dressler Verlag.

____(2003a) Inkheart. Frome, Sommerset, The Chicken House.

____(2005) Tintenblut. Hamburg, Cecilie Dressler Verlag.

____ (2005a) Inkspell. Frome, Sommerset, The Chicken House.

____ (2007) Tintentod. Hamburg, Cecilie Dressler Verlag.

Hiley, M. (2006) ‘(Sub)Creation and the Written Word in Michael Ende’s Neverending Story and Cornelia Funke’s Inkheart’, in J. Deszcz-Tryhubczak & M. Oziewicz (eds) Towards or Back to Human Values? Spritual and Moral Dimensions of Contemporary Fantasy. Cambridge, Cambridge Scholars Press, pp.121-134.

Hunt, P. & Lenz, M. (eds) (2001) Alternative Worlds in Fantasy Fiction. London and New York, Continuum.

Ingarden, R. (1968) Vom Erkennen des literarischen Kunstwerks. Darmstadt, Wissenschaftliche Buchgesellschaft.

Iser, W. (1974) The Implied Reader. Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore, Johns Hopkins University Press.

Mendlesohn, F. (2005) Diana Wynne Jones: Children’ s Literature and the Fantastic Tradition. New York and London, Routledge.

Nelson, C. (2006) ‘Writing the Reader: The Literary Child in and Beyond the Book’, Children’ s Literature Association Quarterly 31,3, 222-236.

Rouse, J. (1989) Brecht and the West German Theater. Ann Arbor, UMI Research Press.

Stephens. J. (1992) Language and ideology in children’s fiction. London and New York, Longman.

Todrov, T. (1973) The Fantastic. A Structural Approach to a Literary Genre. Cleveland/London, The Press of Case Western Reserve University.

Tolkien, J.R.R. (1964) ‘On Fairy-Stories’, in Tree and Leaf. London, George Allen and Unwin, pp.11-70.

Websites

http://images.zeit.de/text/2005/38/S_55_Funke

(Konrad Heidkamp, “Ich liebe es, wenn meine Leser flüstern”, Die Zeit 15.09.2005 Nr. 38.), accessed on 08.01.2008.

http://www.faz.net/s/Rub1DA1FB848C1E44858CB87A0FE6AD1B68/Doc~E834D3C02242843B3B51BAAB8CA399FE0~ATpl~Ecommon~Scontent.html, accessed on 24.04.2008.

http://www.amazon.de/Tintenherz-Tintenwelt-01-Cornelia-Funke/dp/3791504657/ref=sr_1_1?ie=UTF8&s=books&qid=1213406298&sr=1-1, accessed on 14.06.2008.

Downloads

Published

2009-01-01

Issue

Section

Articles

How to Cite

“Word-Power: Reading, Writing and Traveling from Story to Story in the ’Inkheart’ Novels ” (2009) Papers: Explorations into Children’s Literature, 19(1), pp. 51–58. doi:10.21153/pecl2009vol19no1art1157.

Similar Articles

141-150 of 156

You may also start an advanced similarity search for this article.