Post-disaster Fiction for Young Adults: Some Trends and Variations

Authors

  • Elizabeth Braithwaite Deakin University, Australia

DOI:

https://doi.org/10.21153/pecl2010vol20no1art1148

Keywords:

young adult fiction, postdisaster fiction, disaster fiction, speculative fiction

Abstract

Taking as its central question: 'What narrative functions does the disaster in young adult postdisaster fiction have?', this paper explores how the genre is utilised to make comment on a range of issues, and argues that there are three connected sub-genres within young adult post-disaster fiction, with the disaster having a different function in each, and the nature of the comments made by each of these sub-genres tending also to be different. Stephens considers that: 'The main distinguishing feature of the genre is that its texts are set in a fantasy future which exists some time after the world we know has been destroyed by a cataclysmic disaster, usually caused by human actions' (1992, p.126). This paper broadens this definition to include texts in which the disaster actually happens but in which the focus is on life after the disaster. It understands fantasy to include speculative fiction which seeks to portray pre-disaster life as similar to the implied young adult reader's, as well as works of high fantasy in which the disaster has made Earth into a kind of secondary world (see Sands 1998, p.232), and focuses on novels in which the disaster has clearly been caused by humans in some way.

Metrics

Metrics Loading ...

Author Biography

  • Elizabeth Braithwaite, Deakin University, Australia

    Elizabeth Braithwaite is a research assistant at Deakin University. She is especially interested in notions of identity, and how these are constructed in futuristic fiction for young adults. Her other particular area of interest is the performing arts.

References

Anderson, M. T. (2002) Feed. Cambridge, Massachusetts, Candlewick Press.

Baccolini, Raffaella (2003) ‘“A Useful Knowledge of the Present Is Rooted in the Past”: Memory and Historical Reconciliation in Ursula K. Le Guin’s The Telling’, in Raffaella Baccolini and Tom Moylan (eds.) Dark Horizons: Science Fiction and the Dystopian Imagination. New York and London, Routledge, pp. 113-134.

Baccolini, Raffaella and Tom Moylan (eds.) (2003) Dark Horizons: Science Fiction and the Dystopian Imagination. New York and London, Routledge.

Bradford, Clare, Kerry Mallan, John Stephens and Robyn McCallum (2008) New World Orders in Contemporary Children’ s Literature: Utopian Transformations. Basingstoke, Hampshire, Palgrave.

Carmody, Isobelle (1987) Obernewtyn. Ringwood, Puffin.

_______________ (2008) The Stone Key. Camberwell, Penguin.

Christopher, John (1988) When the Tripods Came. Harmondsworth, Viking Kestrel.

Dobson, Jill (1988) The Inheritors. St Lucia, University of Queensland Press.

Dubrow, Heather (1982) Genre. London, Methuen.

Forman, James D. (1984) Doomsday Plus Twelve. New York, Charles Scribner’s Sons.

Fromm, Erich H. [1941] (1994) Escape from Freedom. New York, Henry Holt and Company.

Glazer, Joan I. (1986) ‘Nuclear Holocaust in Contemporary Children’s Fiction: A Surprising Amount of Agreement’, Children’ s Literature Association Quarterly 11:2, pp.85–88.

Godfrey, Martyn [1986] (1989) The Last War. New York, Collier Books, Macmillan.

Hirsch, Odo (2004) Will Buster and the Gelmet Helmet. Camberwell, Viking.

Hoover, H. M. [1973] (1987) Children of Morrow. Harmondsworth, Penguin.

James, Kathryn (2009) Death, Gender and Sexuality in Contemporary Adolescent Literature. New York and London, Routledge.

James, Laurence (1992a) The Revengers. London, Bantam Books.

James, Laurence (1992b) The Horned God. London, Bantam Books.

Johnson, Jilaine (1999–2000) ‘What on Earth’s Our Future? Reflections on Examples of Science/Speculative Fiction and Its Relevance for Young People Today’, Journal of Educational Research 5: 1, pp. 87–98.

Kesteven, G. R. [1974] (1979) The Pale Invaders. London, Knight Books, Hodder and Stoughton.

Kristeva, Julia (1990) ‘The Adolescent Novel’ in John Fletcher and Andrew Benjamin (eds.), Abjection, Melancholia, and Love: The Work of Julia Kristeva. London and New York, Routledge.

___________ (2007) (trans. Michael Marder and Patricia I. Vieira) ‘Adolescence, A Syndrome Of Ideality’, Psychoanalytic Review, 94: 5, pp.715- 725.

Lawrence, Louise [1985] (1986) Children of the Dust. London, Lions Tracks.

Lowry, Lois [1993] (1995) The Giver. Hammersmith, Collins, an imprint of HarperCollinsPublishers.

___________ [2000] (2002) Gathering Blue. London, Bloomsbury.

Macdonald, Caroline [1988] (1989) The Lake at the End of the World. Ringwood, Penguin.

Maguire, Gregory (1989) I Feel Like the Morning Star. New York, Harper & Row.

Martel, Suzanne (trans Norah Smaridge) [1964] (1983) The City Under Ground. Toronto, Groundwood.

Miklowitz, Gloria D. (1985) After the Bomb. New York, Scholastic.

Mutton, Jenny (1987)‘Beyond Armaggedon’, Journal/Society for Mass Media and Resource Technology (S.M.M.A.R.T.) 17:1, pp.3–9.

O’Brien, Robert C. [1974] (1976) Z for Zachariah. London, Fontana Lions.

Pausewang, Gudrun [1983] (trans. Norman Watt) (1989) The Last Children. London, Julia MacRae Books, a division of Walker Books.

Phillips, Tony (1988) Jump Start. New York, Ballantine Books.

Ratcliff, Robyn E. (1998) ‘From Sheep to Shepherds (or “You Might Be the 100th Monkey”): The Role of Children in Nuclear Discourse’, M.A. dissertation, Truman State University.

Reeve, Philip (2001) Mortal Engines. London: Eos, An Imprint of HarperCollins.

___________ (2006) A Darkling Plain. London, Scholastic Press.

Sambell, Kay (2004) ‘Carnivalizing the Future: A New Approach to Theorizing Childhood and Adulthood in Science Fiction for Young Readers’, The Lion and the Unicorn 28: 2, pp.247–267.

Sands, Karen (1998) ‘Imagination and the Imagined Nation: British Children’s Fiction after 1945’, PhD dissertation, University of Wales, Cardiff.

Sanford, James E. (Jr.) (c.1989) Nuclear War Diary. Byron, CA, Front Row Experience.

Scott, Hugh [1989] (1991) Why Weeps the Brogan? London, Walker Books.

Shearer, Alex (2005) The Hunted. London, Macmillan Children’s Books.

Siegel, Barbara and Scott Siegel (1987) The Burning Land. New York, Pocket Book.

Stephens, John (1992)‘Post-Disaster Fiction: The Problematics of a Genre’, Papers: Explorations into Children’ s Literature 3:3, pp.126–130. ____________ (1996) ‘Gender, Genre and Children’s Literature’ Signal 79, pp.17–30.

Stephens, John and Robyn McCallum (1998) Retelling Stories, Framing Culture: Traditional Story and Metanarratives in Children’ s Literature. New York and London, Garland Publishing.

Stevermer, Caroline [1992] (1996) River Rats. New York, Magic Carpet Books.

Stoutenburg, Adrien (1971) Out There. New York, The Viking Press.

Strieber, Whitley (1985) Wolf of Shadows. New York, Alfred A. Knopf, Inc., New York.

Swindells, Robert (1986) ‘Afterword’ in Brother in the Land. Oxford, Oxford University Press.

______________ (2000) Brother in the Land. London, Puffin.

Tebbutt, Susan (1994) Gudrun Pausewang in Context: Socially Critical ‘Jugendliteratur’: Gudrun Pausewang and the Search for Utopia. Frankfurt, Peter Lang.

Trites, Roberta Seelinger (2000) Disturbing the Universe: Power and Repression in Adolescent Literature. Iowa City, University of Iowa Press.

Ure, Jean (1989) Plague 99. London, Methuen Teen Collection.

________ [1992] (1995) After the Plague. London, Mammoth.

_________ (1994) Watchers at the Shrine. London, Methuen Children’s Books.

Downloads

Published

2010-01-01

Issue

Section

Articles

How to Cite

“Post-disaster Fiction for Young Adults: Some Trends and Variations” (2010) Papers: Explorations into Children’s Literature, 20(1), pp. 5–19. doi:10.21153/pecl2010vol20no1art1148.

Similar Articles

61-70 of 141

You may also start an advanced similarity search for this article.