Shakespeare as National Discourse in Contemporary Children’s Literature

Authors

  • Erica Hately

DOI:

https://doi.org/10.21153/pecl2003vol13no1art1293

Keywords:

William Shakespeare, contemporary children's literature, Australian discourse

Abstract

Accepting Stephens' assertions about some of the cultural functions of children's literature, this paper raises the question of what happens in contemporary children's novels when that which is marked as 'centrally important' to both the child protagonist and reader is Shakespeare. More than that, I wish to examine the cultural complexities that are raised when that child protagonist and often the implied reader is Australian.

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References

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Bristol, Michael D. (1990) Shakespeare’s America, America’s Shakespeare. London, Routledge.

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Burt, Richard (1998) Unspeakable ShaXXXspeares: Queer Theory & American Kiddie Culture. New York, St. Martin’s Press.

Cartelli, Thomas (1999) Repositioning Shakespeare: National Formations, Postcolonial Appropriations. London, Routledge.

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Neill, Michael (1998) ‘Post-colonial Shakespeare? Writing away from the centre’, in A. Loomba and M. Orkin (eds) Post-Colonial Shakespeares. London, Routledge, pp.164-85.

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Osborne, Laurie E. (1997) ‘Poetry in motion: animating Shakespeare’, in L. Boose and R. Burt (eds) Shakespeare the Movie: Popularizing the Plays on Film, TV, and Video. London, Routledge.

Stephens, John (1992) Language and Ideology in Children’s Fiction. London, Longman.

Stephens, John, and Robyn McCallum (1998) Retelling Stories, Framing Culture: Traditional Story and Metanarratives in Children’s Literature. New York, Garland.

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Published

2003-01-01

Issue

Section

Articles

How to Cite

“Shakespeare as National Discourse in Contemporary Children’s Literature” (2003) Papers: Explorations into Children’s Literature, 13(1), pp. 11–24. doi:10.21153/pecl2003vol13no1art1293.

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